It’s been called the Energizer bunny of the kid television world. It’s also been a long-lasting bane to many a parent whose child has karate-kicked a classmate in a playground reenactment of the…
It’s interesting to see how mainstream newspapers react to Power Rangers, especially from the past. It’s like a weird mixture of amazement, derision, criticism, and acceptance.
I don’t usually let Danny play with a mirror, but when she does I get jealous.
Birb loves self.
smalldog has been knighted and may now be addressed as SIR smalldog
NOBLE DOGGY KNIGHT
I like how you sent me an ask claiming that no one says a thing except people rhetorically making fun of the position that no one actually holds, and then you send me an ask clarifying that you hold exactly the same position.
I’m kind tempted to just not address anything else you said and just marvel in the perfection of that.
What’s the reason for making a character white? What’s the reason for making a character straight? What’s the reason for making a character abled or neurotypical or cis?
When you assume that making a character Other relative to yourself weakens the narrative, you’re revealing a terrible thing about yourself: that you can’t imagine that those people have backstories and inner lives the way that you do.
Every single person in a fictional narrative is ultimately there because a writer decided they needed to be there, but when the person looks like you and matches your expectations, you accept that this person who was made up for the plot had a life full of events that led them to the point where they’re appearing on the screen or page.
But when your expectations aren’t met, you start saying it’s forced. You can’t accept that events led them here because you don’t grant them the kind of life that you know you have. Your empathy does not extend to them.
Look at how many white people think they can relate to a little girl in an industrial orphanage who falls in with a capitalist robber baron during the Great Depression more than they can relate to a little girl in the foster system in modern New York who falls in with a career politician, all because of a difference of race. The original Annie’s situation and world were only slightly less alien to us than the Victorian period, but making her white somehow makes her relatable in a way that a little girl who clearly exists in our world isn’t.
The fact is, empathy is linked to imagination and we can (and do!) relate to people who are literally alien beings in literally alien worlds. The choice not to relate to Quvenzhané Wallis as Annie—or a Black or gay or female or trans video game character—is a choice to shut off both imagination and empathy.
The failing is not with the narrative, it’s with you.
Japanese farmers have been experimenting with growing watermelon in shapes other than the traditional round or oblong shapes. Hirochi Kimura and his wife spent three years perfecting the art of growing these tokens of affection on their farm in Kumamoto, Japan. They say the shape symbolizes “their passion for farming and their affection for each other.”
LIGHTNING BOLT HEADED PUPPY
I NAME YOU HARRY PUPPER!
You’re a husky, Harry.
"Harry Pupper and the Philosophers Bone"
do you ever wonder if u have a reputation like people u dont even know could have opinions about u